too

What This Sign Means in BSL

The BSL sign for too is one of those incredibly versatile signs that carries a dual meaning, making it essential for any learner. At its heart, “too” can mean also or in addition, much like when you say, “Me too!” It beautifully captures that sense of inclusion or shared experience. But it also expresses excessiveness or to an extreme degree, as in, “This is too difficult” or “That’s too much.” Understanding this dual nature is the first step to truly mastering it.

Visually, the sign uses a single, deliberate outward movement from a closed fist, with the thumb resting over the fingers. This motion isn’t just arbitrary; it vividly represents pushing something forward, extending an idea, or even pushing something beyond an acceptable limit. When you use it for “also,” think of it as extending an agreement or adding yourself to a group. When it signifies “excessive,” picture yourself pushing away or expressing an overflow.

What truly brings this sign to life, as with so many in BSL, are the non-manual features (NMFs). For “also,” a slight nod or a gentle, affirming facial expression often accompanies the sign. When expressing “too much” or “excessive,” your face will naturally reflect it-perhaps a slight scrunch of the nose, widened eyes, or a subtle shake of the head to convey disapproval or struggle. These subtle cues are absolutely critical for distinguishing between its two core meanings without ambiguity.

When This Sign Feels Natural

You’ll find yourself reaching for this sign constantly in everyday BSL conversations. It feels most natural when you’re agreeing with someone (“I like that film,” and you sign “ME TOO!”), or when you’re requesting inclusion (“Are you going to the shop? Can I come TOO?”). It’s a very common, foundational sign for building rapport and participating actively in dialogue, making it one of the first signs many people learn to use comfortably in social settings.

The sign also naturally fits situations where you’re describing something as being beyond an acceptable or desirable point. For example, if a task is overwhelming, you’d sign, “This is TOO DIFFICULT.” If the music is blaring, “That’s TOO LOUD!” In these instances, the intensity of your outward movement and, crucially, your facial expression, will amplify the feeling of excess. It’s here that the sign often carries a slightly negative or critical connotation, expressing a problem rather than just a quantity.

While “too” is incredibly versatile, there are times when a different sign might feel more appropriate. If you simply mean “very” without the implication of excess (“It’s very hot” rather than “It’s too hot to bear”), other signs for intensity would be better. Similarly, if you’re talking about simply adding an item or concept without the “also” nuance, a sign like `ADD` or `PLUS` might be a clearer choice. Always consider the precise nuance you wish to convey; “too” is powerful but specific.

What Learners Usually Miss

One common pitfall for learners is confusing “too” (excessive) with signs like `VERY` or `MUCH`. While they all convey intensity or quantity, “too” usually implies a negative consequence or an undesirable amount. For instance, `VERY HOT` is simply a strong description of temperature, whereas `TOO HOT` suggests it’s unbearable or problematic. Mastering this distinction means paying close attention to the context and, especially, to your non-manual features, which truly differentiate a description from a complaint.

Another subtle but crucial element often overlooked is the *deliberate* nature of the movement. The sign for “too” isn’t a quick flick or a gentle wave; it’s a clear, purposeful outward push. If the movement is too soft, too fast, or lacks conviction, it can lose its intended impact or even be misread as a different sign. Practice that firm, controlled extension to ensure your meaning is clear and emphatic, whether you’re agreeing or expressing excess.

Finally, learners sometimes overuse “too” when other, more precise signs would enhance clarity. For example, while “me too” is perfectly valid, if you’re trying to convey “again” or “in addition” in a different grammatical structure, alternative signs might fit better. Also, pay attention to the precise location: mid-neutral space, slightly forward of your dominant shoulder. Signing it too high, too low, or off to the side can make it less natural or even distort its meaning in the rhythm of BSL conversation.

A Simple Way to Remember It

Imagine your closed fist as holding an idea, a quantity, or an agreement. The outward movement is like pushing that idea further-either pushing it forward to join in (“me too!”) or pushing it beyond an acceptable point (“that’s too much!”). It’s a clear, decisive action that adds emphasis or indicates an extreme.

  • Think of pushing out an agreement: “Yes, I feel that way *too*!”
  • Visualise pushing away something excessive: “No, that’s *too much*!”
  • The strong, closed fist conveys a solid, undeniable statement, whether it’s an affirmation or a declaration of excess.

Short Practice Situations

  • “I’m going to the park. Do you want to come *too*?”
  • “This music is *too* loud; I can’t concentrate.”
  • “She said she loves chocolate, and I do *too*!”
  • “Be careful, the oven is *too* hot to touch right now.”
  • “I think you’re working *too* many hours this week.”

Signs to Learn Next

  • ALSO: While often interchangeable with “too” for inclusion, `ALSO` can sometimes feel more formal or specifically about adding an item to a list, whereas “too” often carries a more personal or emotional resonance, especially in agreement.
  • VERY: This sign is crucial for distinguishing simple intensity from excess. `VERY` describes a high degree without implying negativity, which is a key nuance that “too” often carries when used in its ‘excessive’ sense.
  • MUCH / MANY: Learning these signs helps you clarify when you’re talking about a large quantity versus an *excessive* or problematic quantity. “Too much” combines “much” with the ‘excessive’ aspect of “too.”
  • ENOUGH: This is a direct conceptual opposite of “too much.” Understanding `ENOUGH` helps frame the boundaries and acceptable limits, providing a useful contrast to the idea of exceeding those limits.
  • AGAIN: In some contexts, `AGAIN` can overlap with the “also” meaning of “too,” particularly when you’re repeating an action or thought. It’s useful to see how different signs can express similar concepts with varying shades of meaning.

very

What This Sign Means in BSL

The BSL sign for very is a wonderfully versatile tool that adds significant emphasis and intensity to your signing. It acts as an adverb, allowing you to amplify adjectives, adverbs, and sometimes even verbs, much like its spoken English counterpart. When you use this sign, you’re not just stating a fact; you’re expressing a strong degree of that fact. Think of it as painting with a bolder brushstroke, making your descriptions more vivid and your feelings more pronounced.

What makes this sign so impactful isn’t just the handshape and movement, but how it interacts with your facial expression. Without the right accompanying facial grammar, the sign can lose much of its meaning. A positive “very” (e.g., “very good”) often comes with bright eyes and a slight smile, while a negative “very” (e.g., “very bad”) might feature furrowed brows or a downturned mouth. This visual layering of meaning is a core characteristic of BSL and truly brings the sign for “very” to life.

This sign is a foundational piece in BSL communication. You’ll find yourself reaching for it constantly to convey strong opinions, intense feelings, or simply to make a point more forcefully. It’s a sign that empowers you to express nuance and depth, moving beyond basic statements to truly articulate the degree of something. Mastering its usage, especially with appropriate facial grammar, will significantly enhance your expressive capabilities in BSL.

When This Sign Feels Natural

You’ll find the sign for very feels most natural when you want to express a strong opinion or an elevated degree of something. Imagine describing a meal that was exceptionally delicious – you wouldn’t just say “good,” you’d sign “very good.” It’s perfect for conveying strong emotions like “very happy” or “very sad,” where the intensity of the feeling is key to the message. It fits seamlessly into everyday conversations, adding colour and precision to your descriptions of people, places, and experiences.

This sign also comes into its own when you’re giving feedback or making a judgment. If a task was particularly challenging, you might sign “very difficult.” If you’re impressed by someone’s skill, you’d sign “very clever.” It’s generally an informal sign, but its versatility means it can adapt to slightly more formal contexts too, as long as the surrounding signs and facial expressions maintain an appropriate register. It’s about adding conviction to your statements, making sure your audience understands the depth of what you’re trying to convey.

While very is incredibly useful, sometimes BSL offers alternatives for ultimate impact. For instance, rather than “very fast,” you might repeat the sign for FAST multiple times, or use a specific sign for “rapid” or “lightning speed” if one exists and fits the context better. However, for general intensification across a broad range of adjectives and adverbs, “very” remains your go-to. It’s a workhorse sign that effectively communicates a high degree of quality, quantity, or feeling without needing more specific, less common signs.

What Learners Usually Miss

One of the most common oversights learners make with the sign for very is neglecting the crucial role of facial expression. It’s easy to focus solely on the handshape and movement, but without the correct facial grammar, the sign loses its power. A neutral face while signing “very good” might make it seem sarcastic or unconvincing. Remember to match your facial expression to the emotion or intensity you’re conveying – wide eyes and a smile for positive emphasis, furrowed brows for negative, and so on. Your face is an integral part of this sign, not an optional extra.

Another subtle point often missed is the sharpness and direction of the movement. The sign isn’t a gentle push; it’s a distinct, sharp flick forward and outward from near your mouth or chin. This decisiveness is what signals the intensity. A weak or hesitant movement can dilute the meaning, making your “very” feel more like a mild “quite.” Practice making the movement clear, confident, and with a definite end point. The energy in your movement should reflect the intensity of the word you’re modifying.

Finally, learners sometimes overuse very, directly translating from spoken English. While it’s a powerful intensifier, BSL often employs other strategies for emphasis. Repetition of an adjective can achieve a similar effect (e.g., signing BIG, BIG, BIG for “very, very big”). Sometimes, a different, more specific sign might be available that inherently carries a stronger degree of meaning. Pay attention to how native BSL signers use “very” – they often reserve it for moments when a clear, direct intensification is needed, rather than using it for every instance where English might.

A Simple Way to Remember It

Think of the sign for very as a precise, impactful statement. The handshape, with your index finger and thumb forming a small, focused circle, is like you’re pinpointing exactly what you mean to intensify. Then, that sharp, forward flick is like you’re punctuating your statement with conviction, pushing the emphasis out to your audience. It all comes together near your mouth, as if you’re articulating the core of your feeling with precision and force.

  • The Focused Circle: Imagine your handshape creating a tiny, precise lens, focusing intensely on the adjective or adverb you’re about to amplify. It’s about being exact in your emphasis.
  • The Sharp Flick: This movement is like an exclamation mark for your words. It pushes the meaning forward with energy and certainty, ensuring your audience feels the strength of your statement.
  • Near the Mouth: Placing the sign near your mouth or chin connects it to articulation and speech, as if you’re verbally underlining the intensity of what you’re communicating.

Short Practice Situations

  • That film was very good; I enjoyed every minute of it.
  • I’m feeling very tired today after staying up so late last night.
  • The weather outside is very cold, make sure you wear a warm coat.
  • She was very happy to receive the surprise gift from her friends.
  • Learning BSL can be very rewarding once you start to communicate.

Signs to Learn Next

  • GOOD: This is a perfect companion sign to very, as you’ll often want to express “very good” in various contexts. Mastering both together will enhance your descriptive power.
  • BAD: Just like “good,” “bad” is frequently intensified. Practising “very bad” with appropriate facial expressions will build your ability to convey a wide range of emotions.
  • HAPPY: Emotions are often expressed with intensity. Learning “very happy” will help you articulate strong positive feelings, using the facial grammar that’s so vital for “very.”
  • TIRED: Another common feeling that often requires emphasis. Combining “very” with TIRED allows you to clearly communicate a high degree of fatigue, which is useful in many daily interactions.
  • REALLY/TRULY: While very is a strong intensifier, exploring other adverbs like REALLY or TRULY (if distinct BSL signs exist) can offer slightly different nuances in emphasis and conviction, expanding your expressive range even further.
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